Architectural Features
South door within timber porch: C12, limestone, round arch of three orders
INTERIOR: Nave: Four bay C15 king-post roof, the uprights renewed C19, with tie beams
early C16 pewes with moulded rails and Gothic buttresses, late C19 plate tracery to west window of four lancets and three round openings, containing clear glass
South aisle: divided by two circular Norman piers with scalloped capitals, arcade of three pointed arches
Two 2-light C15 windows on south wall, three-light east window with late C19 glass signed by O'Connor
The abrupt transition between the two sections marks the divide between the C13 and c.1500 phases
East window of three lights containing stained glass (signed by O'Connor) depicting the crucifixion, Christ walking on the water and Christ calming the waters, installed in memory of Walter de Burgh RN (d.1861). Altar, late C19 of oak, Gothic with painted depiction of the Annunciation on central panels
erected in memory of Thomas Whipham (d.1860). Monuments include a matching pair of veined marble pedimented tablets to Anna and Richard Banckes (d.1734 and 1750), with a small tablet between them inscribed 'What death divided Love hath conjoined'. Baptistery: in base of tower
Contains font of c.1200 of Purbeck marble: octagonal bowl on plinth ringed by eight small circular shafts
South and west windows each of two lights contain stained glass signed by E R Suffling
HISTORY: the church belonged to the Abbey of Holy Trinity, Rouen at the end of the 11th century and passed to William of Wickham's See of Winchester in 1391, leading to a new campaign of works