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All Saints

All Saints

Wigan

Greater Manchester

Mainly C15

Architectural Features

Both nave and aisle have moulded bands and embattled parapets with slender crocketed pinnacles, those of the nave rising from angel corbels on the band and those of the aisle from carved grotesques.

large coupled 3-light belfry windows with stone louvres and Perpendicular tracery, and a short blind-arcaded top stage with a clock face in the centre of each side, a moulded cornice with prominent corner gargoyles, and an embattled parapet with crocketed corner pinnacles and a pair of smaller ones in each side.

INTERIOR: 6-bay aisle arcades of quatrefoil columns with moulded 2-centred arches, shafts between the bays rising to clerestory and surmounted by consoles with statues of angels

chancel arch with good painted and carved screen and next to this a pulpit in matching style

north chapel with various Walmesley wall monuments

in south aisle wall monuments to Roger Downes of Wardley , John Baldwin a small elaborately carved cartouche, William Bankes of Winstanley a draped cartouche with skull, and a stained glass window of St Christopher by William Morris 1868.