updated in the 14th century
At the west end is a tile-hung bell turret with louvres and a pyramidal cap
The north nave wall is blind, with chequerwork, and has a blocked Norman doorway (see Interior). The chancel has a two-light north window of the 19th century, copying the Dec example on the south
It was inserted perhaps in the early or mid 19th century, and altered 1894-6. Late 14th or 15th century Perp W window of two cusped lights, and a hoodmould with head stops
In the north wall, a blocked door recess with plain round-arched head, simplest Norman
Simple iron shutter hinges, perhaps 17th century
Principal Fixtures: The fine 17th century south door has moulded ribs forming nine panels
in the head concentric segmental mouldings with carved decoration
C.E. Ponting¿s thorough restoration of 1894-6 emphasises the association with George Herbert through simple 17th century-style fittings, e.g. the oak panelled dado in nave and chancel, turned communion rails, etc
Plain octagonal font, 19th century
There is no pulpit
Stained glass in the east windows is by Lavers & Barraud, 1866, with two smaller chancel lights attributed to them on stylistic grounds
The west window glass is signed by Caroline Townshend and Joan Howson, c1935, commemorating George Herbert and his friend Nicholas Ferrar, who published Herbert's poetry as The Temple posthumously
History: The blocked round-arched door suggests a Norman church, i.e. not later than c1200
In 1861 T.H. Wyatt built the larger church of St John, c. 200 yards west, and made haphazard alterations at St Andrew at the same time, removing the pulpit, tester, gallery and box pews
including slight Norman remains