rebuilt in C15
Tower of roughcast rubble with granite dressings, and some medieval stone rubble in chancel
slate roof with grey stone embattled crested ridge tiles which are pierced and enriched with fleur-de-lys over the chancel
C15 low and plain tower in 2 stages with low set back buttresses up to the lower dripcourse.
Above the arch is a soffit-moulded dripcourse with an elaborately carved arch-headed niche in the apex and containing a terracotta figure of the Virgin and Child.
The break between nave and chancel is marked by the projecting pulpit passage.
South side of chancel of possibly medieval rubble and includes a single C19 2- light arch-headed window.
East end has large 3-light window with moulded hood and carved vine leaf labels, and another similar in recessed east end of north aisle.
North side of chancel includes a possibly C15 tiny round-headed lancet.
Vestry has simple 3-light window in north gable end with moulded hood and carved labels and west side of roof carried down over entrance lobby which includes a shoulder- headed doorway containing original door and twin trefoil-headed lights.
Its stylised carving is well-preserved.
Inside the tower contains C15 2-centred arch doorway of volcanic stone with chamfered surround which contains original studded plank door.
It has moulded ribs and purlins and a series of C19 carved rose motif bosses.
C15 granite 4-bay arcade between nave and aisle with 1 bay overlapping to chancel.
The nave includes small blocks of Beerstone carved with sacred symbols and arcade has mosaic friezes over the arches.
Nave arcade and aisle inc ude projecting blocks of Beers tone which were obviously intended for carved enrichment but were not finished.
Larger central pane with embattled cornice and carved leaf franc around delicate pattern of polychrome mosaic and is flanked by panels with sunken quatrefoils containing carved angels against a ground of blue mosaic.
Brass alter cross also designed by Street.
The superior brass altar rail has double standards filled with Gothic tracery and embellished with coloured glass and enamel designed by Gould.
Most of floor of black and red tiles but chancel has patterns of encaustic tiles.
North chapel has marble altar shelf (grey with inlaid red lozenges and black Latin cross) resting on carved Beerstone brackets and below is more patterned stonework including a band of alabaster with inlaid marble.
The floor below has encaustic tiles set in a mosaic pattern of tiny tiles framed with inarbl.e.
To right is a tiny tent-headed niche which may be medieval.
The oak rood screen includes a little C15 work but enough to show that the rebuild is a faithful reproduction of the original.
Rich cornice of 4 bands of delicately carved and undercut foliage.
Magnificent pulpit by Gould is entered from chancel by projecting pulpit passage.
Stone base of different- coloured stone includes stem of clustered shafts with moulded capitalsand bases and has circular drum of ornate wrought iron and brasswork embellished with jewel- like coloured glass.
C19 oak lectern.
All benches, including 1 in chapel, are oak and good early C16 craftsmanship.
The bench ends are carved with frames of wreathed foliage flowing from vases.
C17 chest in chapel and organ rebuilt 1932 according to plaque.
Good C19 stained glass throughout.
Chancel glass by Hardman of Birmingham, the rest by Clayton and Bell.
The finest is the Mary Thain memorial , the Jesse window at the west end of the aisle.
Only memorial is white marble plaque in north aisle remembering First World War dead.
Besides the Anglo-Saxon tympanum the church includes high quality C19 work.
For half a century he was one of the most important figures in the High Church movement in the Diocese of Exeter and also had strong and well-informed views on architecture.