St Mary

C15 west tower, the nave

chancel roof, south porch and wall of the south aisle rebuilt after a fire of 1624.

There is a crenellated parapet and a fine collection of stone gargoyles.

The south aisle has three triple cinquefoil-headed arched windows divided by buttresses and the south porch is of 1626, gabled with a semi-circular arch with keystone and capitals at the jambs in the Classical or Renaissance style under a Perpendicular style square moulded dripmould.

The diamond-shaped sundial above is dated 1627.

INTERIOR: Arcade of pointed arches supported on C14 octagonal columns with scroll mouldings to the abaci of the capitals and roll mouldings to the bases.

The east wall of the tower retains a door and panels of the original mediaeval screen.

The font, situated at the west end of the south aisle, was made in 1628 by the master mason William Holis and is an octagonal sandstone font with an oak cover with eight ogeed and crocketed brackets engaging with a central shaft with ball finial.

There is an octagonal early C17 oak pulpit with arched panels.

The wooden altar rails with turned balustrading partially date from the 1624-9 restoration but there are records of balustrading being turned in 1662 and 1720.

The centre of the side wall of the north chapel retains the only piece of old glass.

The reredos is of 1866 by G E Street with an alabaster Crucifixion relief carved by Earp.

The altar tomb of freestone with a top of black Belgian marble is of circa 1650, commemorating Frances, daughter of John Reeve of London and her two husbands, Thomas Streatfeild of Shoreham and John Seyliard of Brasted.

The nave has two brasses, one to Richard Streatfeild of Cransted and the other to William Birsty with a coat of arms.

There is a fine collection of hatchments in the south aisle, dating between 1627 and 1852.

The brass chandelier was donated by Edward Tenison in 1726.

HISTORY: There is written evidence of a Saxon foundation at Chiddlingstone in the "Domesday of the Monks" where it is recorded that in 1072 Bishop Odo was made to give up the church to the archbishop and in "Textus Roffensis" it is recorded that the church was paying nine pence chrism fee to Rochester.

However the earliest identifiable masonry in the current building are the remains of C13 Early English triple lancet windows to the east wall of the chancel, indicating that at that time the plan may have comprised a nave and chancel without aisles.

The current plan is early C14 when the side walls of the earlier building were replaced with arcades and aisles north and south.

The Perpendicular style west tower was added in the C15 and the windows in the side wall of the north aisle are also C15.

The Bore Place Chapel to the east of the north aisle is mentioned in John Alfeigh's will of 1488.

In 1526, Sir Robert Read of Bore Place enlarged the chapel and founded a chantry which was suppressed in 1547.

In 1624 the church was struck by lightning causing an extensive fire after which the south porch, the south wall of the south aisle, the nave and chancel roof and possibly the nave arches above the columns were rebuilt.

There are records of 1627 for the local blacksmith being paid to both repair and supply new iron bars for the windows.

The pre-1624 taller pitch of the nave roof is exposed on the west side of the tower.

The church was re-consecrated in 1629.

STATEMENT OF IMPORTANCE: A sandstone church with early C14 nave, chancel, aisles with chapels

a good quality C15 west tower.

The church was severely damaged by fire in 1624 and has an interesting rebuilt roof of kingpost type and south porch a mixture of Classical and Perpendicular styles.

Furnishings include a C17 font and pulpit and a good series of C17 and later monuments and hatchments, mainly to the Streatfeild family.