Chancel, Nave, N and S chapels, N and S aisles, W tower and S porch all rebuilt in the C15.
Externally below the E window is a recess with hollow-chamfered jambs, defaced cinquefoiled and sub-cusped 4-centred head, each spandrel carved with a pomegranate, and moulded label
traces of former crucifix and 2 figures.
each spandrel is carved with a lion.
The ribbed vault is restored, retaining a central boss carved with a pelican, 3 smaller bosses carved with leopard's heads, and one with a woman's head.
The low-pitched roof of the Chancel is in 7 bays, with moulded tiebeams, and 3 moulded butt-purlins in each bay, with plain rafters of horizontal section, and carved corbels The low-pitched roof of the Nave is in 5 bays, with moulded tiebeams at half-bay intervals, short king- posts, and tracery above the tiebeams
moulded wallplates, ashlar-pieces on carved corbels, with tracery in the arches between
The low-pitched lean-to roofs of the N and S aisles are in 5 bays, with moulded principal rafters at half-bay intervals, 2 moulded butt-purlins in each bay, moulded wallplates, arched braces from carved corbels, and plain rafters of horizontal section.
In Chancel, range of 3 sedilia with cinquefoiled 2-centred heads and moulded labels, moulded and shafted jambs with capitals and bases, C15.
Stoup on S wall of S chapel, E of doorway, with broken round bowl, and base of pedestal, C15.
In the Chancel, floor-slabs to (1) Sir Mark Guyon, 1690, black marble with achievement of arms, (2) James Boys, A.M., black marble with achievement of arms, (3) Dame Dorcas Guyon, 1714, black marble
on the N arcade, monuments to (1) William Boys, 1742, white marble tablet with pediment, (2) Henry Skingley, 1795, tablet of white, brown and black marble with lamp
In the N chapel, brasses (1) [of John Paycock, 1533, and his wife] figures of man and woman, with indents of foot and marginal inscriptions, 5 scrolls, figure of Virgin and child, 2 groups of children and 4 shields, (2) of Thomas Peaycocke, 1580, figure of man in gown, foot and part of marginal inscription, indents of 5 plates and a scroll, (3) of George Laurance, 1594, inscription and merchant's mark, (4) of Thomas Aylett, 1638, plate with achievement of arms and inscription, (5) figures of 2 women with butterfly head-dress, c.1480, (6) said to be of William Goldwyre, 1514, figures of man in fur-lined gown and woman in pedimented head-dress, and (7) of John Oldam, 1599, inscription only
monuments of (1) John Grime, 1714, black marble with achievement of arms, on stone base, (2) Samuel Carter, 1777, with achievement of arms, (3) Thomas Andrew, 1826.
In the S chapel, of (1) Thomas Guyon, 1664, black, grey and white marble altar-tomb with moulded slab and plain pilasters at the angles, (2) Edward Coldham Matthew, 1820, oval white marble tablet on black marble, (3) Mark Guyon, 1839, white and black marble tablet, and (4) Mary (Waters), wife of Robert Honywood, 1620, painted figure of woman kneeling at prayer-desk, flanked by Ionic columns supporting a pediment, lozenge and 2 shields of arms, 2 skulls and animal, in black and coloured marble In the Nave, floor-slab of Jane and Elisabeth Boehm, 1738, Jane Boehm II, 1740, and Richarda Boehm, 1742, black marble.
In the S aisle, monuments of (1) Robert Townsend, 1728, white marble tablet with achievement of arms, (2) Richard White Townsend, 1823, white stone tablet on black marble, with pediment, and loose, (3) Richard Meredith White, 1796, oval stone tablet, and (4) Mary Ann Dennis, 1827, white marble tablet.
There are 9 bells, the fourth by Miles Graye, 1681, the fifth, sixth
seventh by Thomas Gardner, dated 1733, 1757 and 1733 respectively, and a C13/14 bell possibly by William Dawe, removed from Frating parish church, now used as a clock bell.