C15 additions, restored in 1859.
West tower: C15
its outer arch, enriched with cable moulding, continues as frieze which runs beneath the sills of the two lower C12 windows
Between them is the north doorway, also C12, round-headed of two orders, richly chevron moulded, and having nookshafts with figured capitals, the left one illustrating the fable of the Fox and the Crane both drinking from a cask.
To the west is a C19 window, again highly detailed in the C12 manner.
South chapel Added in C14, and adjoining upper nave and lower chancel.
3-light C14 east window and three C14 2-light windows in south wall
Chancel: Original chancel lengthened in C13.
2-light C15 east window
the sills of central and westernmost ones were lengthened in C13 and both cut through an embattled moulding.
Chancel south elevation has a C13 round-headed light at its east end.
South arcade, C14, two bays, round-headed arches of two chamfered orders, central octagonal pier with moulded capital and base
The pulpit is C19, with detailing of elaborate Romanesque inspiration.
C15 trefoil-headed piscina
opposite piscina in north wall of chancel is a C12 round-headed niche, defaced when the chancel was lengthened.
Either side of the altar are two C13 arched niches.
Brass neo-Romanesque altar rails of thick columns with decorated capitals.
There is also a mosaic of vines behind the altar and each side large mosaics of angels, the right one signed F Novo, Venezia 1886.
On the west wall of the chapel is a memorial to Mercy Bromley, wife of Henry Bromley, died 1704, a tablet flanked by spiral columns and grieving cherubs, and above a relief of putti surmounted by the Bromley crest.
on the north chance wall are three early C19 memorials.
Glass: fragmentary C15 Annunciation in chapel.
Central window in north chancel wall has fragments of medieval glass.